Love Japanese skating? This edit sent to us by Kenta Okamoto is the perfect balance of style and substance in a world where a lot of skate edits either have one or the other.
The spots are unique and pleasing to the eye, and it captures an intensity and mystique that isn’t common in American skateboarding. Kenta has put out a string of edits on his personal YouTube channel over the last two years, but “Pale” is by far one of his strongest.
Our favorite part, though, is the music. As any editor can attest, finding a track that complements the visuals can be one of the hardest steps in the video process, but Kenta found a fit that gives the edit an introspective edge that few editors would have thought to venture toward. In other words, no hard thrashing beer-and-weed-fueled garage punk here.
For a bit more info on Kenta and his other projects, check out an interview by Live Skateboard Media here.
Related Posts
Comments
Popular
-
MY EXPERIENCES IN SKATEBOARDING
"I've been terrified of garnering the reputation of 'ramp-tramp' or 'pro-ho' just from spending time with skaters."
-
WHAT WOULD MAKE SKATERS DITCH THE BIG SHOE BRANDS?
We asked younger skaters how small shoe brands could win back their business from the big budget behemoths.
-
8 ARTISTS REIMAGINE THE INDEPENDENT LOGO
What would an Independent rebrand even look like?
-
BRIAN SUMNER ON LEAVING THE SKATE INDUSTRY AND FINDING CHRISTIANITY
"People are going to hate you for different stupid reasons, but people shouldn’t be divided over the faith."
-
WHAT YOUR GRIPTAPE STYLE SAYS ABOUT YOU
Leave it to us to overanalyze one of the least important parts of your skateboard.
September 26, 2020 9:00 pm
Heavy sub-zero vibes. Like watching an unreleased eastern exposure video from 96. Congrats to the crew. Far eastern exposure #1?!
September 28, 2020 11:48 pm
It’s nice and captures the vibe of street skating in Japan well, but as well as the wobbly zoom-in after trick Strobeck style, and the rough-spot Eastern Exposure style, the audio and visual style of this are most heavily influenced bi Takahiro Morita / FESN – compare the music and edit from 3:45 onwards to this (Overground Broadcasting, 2011) https://www.youtube.com/watch?v=GlDo2i_tXIg